Phone
Tablet - Portrait
Tablet - Landscape
Desktop
Toggle navigation
Performers
Steinway Performers
Albright, Charlie
Anderson, Greg
Arishima, Miyako
Benoit, David
Biegel, Jeffrey
Birnbaum, Adam
Braid, David
Brown, Deondra
Brown, Desirae
Brown, Gregory
Brown, Melody
Brown, Ryan
Caine, Uri
Chen, Sean
Chulochnikova, Tatiana
Deveau, David
Farkas, Gabor
Feinberg, Alan
Fung, David
Gagne, Chantale
Golan, Jeanne
Goodyear, Stewart
Graybil, Matthew
Gryaznov, Vyacheslav
Gugnin, Andrey
Han, Anna
Han, Yoonie
Iturrioz, Antonio
Khristenko, Stanislav
Kim, Daniel
Li, Zhenni
Lin, Jenny
Lo Bianco, Moira
Lu, Shen
Mahan, Katie
Mao, Weihui
Melemed, Mackenzie
Min, Klara
Mndoyants, Nikita
Moutouzkine, Alexandre
Mulligan, Simon
Myer, Spencer
O'Conor, John
O'Riley, Christopher
Osterkamp, Leann
Paremski, Natasha
Perez, Vanessa
Petersen, Drew
Polk, Joanne
Pompa-Baldi, Antonio
Rangell, Andrew
Roe, Elizabeth Joy
Rose, Earl
Russo, Sandro
Schepkin, Sergei
Scherbakov, Konstantin
Shin, ChangYong
Tak, Young-Ah
Ziegler, Pablo
Facebook
Twitter
Instagram
Back 1 step
Alexander Scriabin
Alexander Scriabin
Pieces (3) for Piano, Op. 2: no 1, Etude in C sharp minor
Interpretations
About This Work
Performers
Refine by: Performers
All
Min, Klara
Labels
Labels
All
Steinway & Sons
Controls
Cover
Artists
Label
Movements
Klara Min
Steinway & Sons / 30045
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
About This Work
This étude was the first of the Three Pieces from Op. 2 that are generally dated to the period between 1887-1889. Scriabin was 15 years old when he wrote this étude in 1887, a time when he was already an admirer of Chopin and Liszt. The influence of the former can be heard in the harmonies and emotional tenor of the piece, but the main theme is more akin to the singing melodic creations Rachmaninov would be writing in a few years. Yet the melody divulges characteristics of Russian Gypsy music in its melancholy exoticism. This melody is really at the heart of this popular piece, one of Scriabin's earliest successes. It has an arch-like contour, soaring upward in its first half, but only partially descending. Emotionally, the music is full of passion and romance, but features a sense of anxiety, too, in the end conveying some sadness or frustration in lovely simplicity. The piece lasts about three minutes and will offer appeal to most fanciers of piano music.
-- Robert Cummings
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
A59E6ED468395897BBEC79797C5ED5A5