Phone
Tablet - Portrait
Tablet - Landscape
Desktop
Toggle navigation
Performers
Steinway Performers
Albright, Charlie
Anderson, Greg
Arishima, Miyako
Benoit, David
Biegel, Jeffrey
Birnbaum, Adam
Braid, David
Brown, Deondra
Brown, Desirae
Brown, Gregory
Brown, Melody
Brown, Ryan
Caine, Uri
Chen, Sean
Chulochnikova, Tatiana
Deveau, David
Farkas, Gabor
Feinberg, Alan
Fung, David
Gagne, Chantale
Golan, Jeanne
Goodyear, Stewart
Graybil, Matthew
Gryaznov, Vyacheslav
Gugnin, Andrey
Han, Anna
Han, Yoonie
Iturrioz, Antonio
Khristenko, Stanislav
Kim, Daniel
Li, Zhenni
Lin, Jenny
Lo Bianco, Moira
Lu, Shen
Mahan, Katie
Mao, Weihui
Melemed, Mackenzie
Min, Klara
Mndoyants, Nikita
Moutouzkine, Alexandre
Mulligan, Simon
Myer, Spencer
O'Conor, John
O'Riley, Christopher
Osterkamp, Leann
Paremski, Natasha
Perez, Vanessa
Petersen, Drew
Polk, Joanne
Pompa-Baldi, Antonio
Rangell, Andrew
Roe, Elizabeth Joy
Rose, Earl
Russo, Sandro
Schepkin, Sergei
Scherbakov, Konstantin
Shin, ChangYong
Tak, Young-Ah
Ziegler, Pablo
Facebook
Twitter
Instagram
Back 1 step
Antonio Vivaldi
Antonio Vivaldi
Concerto for Violin in G minor, Op. 12 no 1/RV 317
Interpretations
About This Work
Controls
Cover
Artists
Label
Movements
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
About This Work
In 1729 two sets of six concertos each by Vivaldi, the Opp. 11 and 12, were published in Amsterdam. This G minor effort, the first in the latter group, consists, like the others, of three short movements, with two colorful Allegros framing a lovely central Adagio. The concerto begins with a lively orchestral ritornello, after which the soloist enters to render the opening material in somewhat varied form. Thereafter the orchestra and soloist alternate, though when the latter takes the lead the former demurely supplies colorful accompaniment. The music is sunlit and busy throughout, while the writing offers a few good challenges to the soloist.
The second movement opens with a lovely introduction by the strings, wherein the sense of solemnity and melancholy immediately seize the listener. The soloist then enters with the songful, sad main theme, and while it turns a bit sweeter in the second subject, the resulting mood remains dark and heartrending throughout. The writing for the violin in this panel is consistently touching in its melting lyricism and nocturnal beauty. With the finale the music returns to the brighter world of the opening movement, but with a more hearty, festive character. After the energetic introduction by the strings the soloist enters with the same celebratory vigor, negotiating more than a few technical hurdles along the way. The orchestra and soloist by turns lead the playful proceedings to crown this concerto with a joyful sense of festivity.
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
0AC3CC756E758454DF06082DD7E8A3D1