Phone
Tablet - Portrait
Tablet - Landscape
Desktop
Toggle navigation
Performers
Steinway Performers
Albright, Charlie
Anderson, Greg
Arishima, Miyako
Benoit, David
Biegel, Jeffrey
Birnbaum, Adam
Braid, David
Brown, Deondra
Brown, Desirae
Brown, Gregory
Brown, Melody
Brown, Ryan
Caine, Uri
Chen, Sean
Chulochnikova, Tatiana
Deveau, David
Farkas, Gabor
Feinberg, Alan
Fung, David
Gagne, Chantale
Golan, Jeanne
Goodyear, Stewart
Graybil, Matthew
Gryaznov, Vyacheslav
Gugnin, Andrey
Han, Anna
Han, Yoonie
Iturrioz, Antonio
Khristenko, Stanislav
Kim, Daniel
Li, Zhenni
Lin, Jenny
Lo Bianco, Moira
Lu, Shen
Mahan, Katie
Mao, Weihui
Melemed, Mackenzie
Min, Klara
Mndoyants, Nikita
Moutouzkine, Alexandre
Mulligan, Simon
Myer, Spencer
O'Conor, John
O'Riley, Christopher
Osterkamp, Leann
Paremski, Natasha
Perez, Vanessa
Petersen, Drew
Polk, Joanne
Pompa-Baldi, Antonio
Rangell, Andrew
Roe, Elizabeth Joy
Rose, Earl
Russo, Sandro
Schepkin, Sergei
Scherbakov, Konstantin
Shin, ChangYong
Tak, Young-Ah
Ziegler, Pablo
Facebook
Twitter
Instagram
Back 1 step
Henri Wieniawski
Henri Wieniawski
Concerto for Violin no 1 in F sharp minor, Op. 14
Interpretations
About This Work
Controls
Cover
Artists
Label
Movements
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
About This Work
This is a youthful work by Wieniawski, written when he was just 18. He had begun his brilliant career as a touring virtuoso two years before and composed this concerto for his own purposes, as would be the case with the more popular Concerto No. 2 from 1862. The Concerto No. 1 is cast in three movements, with the first being greater in length than the remaining two combined. It is marked Allegro moderato and opens with the clarinet presenting the stormy, heroic main theme, which is then taken up by the orchestra. A lovely, romantic melody is introduced by the cellos and soon the exposition concludes with abruptness. The violin enters dramatically, then gives its account of the themes, finding much drama in the first and both sweetness and passion in the slower one. The development section features brilliant writing for the violin and orchestral scoring that underscores the heroic aspects of the main theme. A dramatic and effective cadenza precedes the recapitulation. The second movement, "Preghira: Larghetto," is short -- about five minutes -- and features a solemn, somewhat sad theme whose manner sweetens a bit when the violin takes it up after the orchestral presentation. Yet there remains a sense of melancholy here, but a melancholy of yearning, not of loss. The Rondo finale, marked Allegro giocoso, features a folkish main theme playfully rendered by the violin. A lovely, alternate melody of romantic character offers contrast to the vigor of the faster sections and a chance for the violin to sing in its lower ranges. The ending is brilliant and colorful, featuring deftly imagined virtuosic writing for the violin.
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
6480DA3E92B92E520C8D7B6BB17B5FC9