Phone
Tablet - Portrait
Tablet - Landscape
Desktop
Toggle navigation
Performers
Steinway Performers
Albright, Charlie
Anderson, Greg
Arishima, Miyako
Benoit, David
Biegel, Jeffrey
Birnbaum, Adam
Braid, David
Brown, Deondra
Brown, Desirae
Brown, Gregory
Brown, Melody
Brown, Ryan
Caine, Uri
Chen, Sean
Chulochnikova, Tatiana
Deveau, David
Farkas, Gabor
Feinberg, Alan
Fung, David
Gagne, Chantale
Golan, Jeanne
Goodyear, Stewart
Graybil, Matthew
Gryaznov, Vyacheslav
Gugnin, Andrey
Han, Anna
Han, Yoonie
Iturrioz, Antonio
Khristenko, Stanislav
Kim, Daniel
Li, Zhenni
Lin, Jenny
Lo Bianco, Moira
Lu, Shen
Mahan, Katie
Mao, Weihui
Melemed, Mackenzie
Min, Klara
Mndoyants, Nikita
Moutouzkine, Alexandre
Mulligan, Simon
Myer, Spencer
O'Conor, John
O'Riley, Christopher
Osterkamp, Leann
Paremski, Natasha
Perez, Vanessa
Petersen, Drew
Polk, Joanne
Pompa-Baldi, Antonio
Rangell, Andrew
Roe, Elizabeth Joy
Rose, Earl
Russo, Sandro
Schepkin, Sergei
Scherbakov, Konstantin
Shin, ChangYong
Tak, Young-Ah
Ziegler, Pablo
Facebook
Twitter
Instagram
Back 1 step
Jules Massenet
Jules Massenet
Thaïs: Meditation
Interpretations
About This Work
Controls
Cover
Artists
Label
Movements
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
About This Work
With the very slight exception of the Suites, Jules Massenet (1842-1912) was an opera composer who wrote virtually no independent orchestral music that survives in the concert hall. The one great exception is his Méditation from his opera Thäis (1894). Based on the novel by Anatole France, Thäis poses the question that haunts most of Massenet's serious opera: which is better, sacred or profane love? While the answer to that question is usually profane love while alive and sacred when dead, in the Méditation, Massenet opted for the latter for at least five minutes and, in so doing, created his one successful orchestral piece, albeit an orchestral piece in the form of a slow movement for violin and orchestra. With its long-breathed ethereal melody, its iridescent harmonies, its evanescent rhythm, and its incandescent climax, Massenet's Méditation is a hymn to sacred love that is completely convincing as long as it lasts. While other arrangements of the work exist, even the most faithful of them, a transcription for violin and piano frequently encountered on the recitals of especially gifted students, cannot hold a candle to the pseudo-sublime original.
-- James Leonard
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
02799102589E9AE1B858257C86F77FB0