Phone
Tablet - Portrait
Tablet - Landscape
Desktop
Toggle navigation
Performers
Steinway Performers
Albright, Charlie
Anderson, Greg
Arishima, Miyako
Benoit, David
Biegel, Jeffrey
Birnbaum, Adam
Braid, David
Brown, Deondra
Brown, Desirae
Brown, Gregory
Brown, Melody
Brown, Ryan
Caine, Uri
Chen, Sean
Chulochnikova, Tatiana
Deveau, David
Farkas, Gabor
Feinberg, Alan
Fung, David
Gagne, Chantale
Golan, Jeanne
Goodyear, Stewart
Graybil, Matthew
Gryaznov, Vyacheslav
Gugnin, Andrey
Han, Anna
Han, Yoonie
Iturrioz, Antonio
Khristenko, Stanislav
Kim, Daniel
Li, Zhenni
Lin, Jenny
Lo Bianco, Moira
Lu, Shen
Mahan, Katie
Mao, Weihui
Melemed, Mackenzie
Min, Klara
Mndoyants, Nikita
Moutouzkine, Alexandre
Mulligan, Simon
Myer, Spencer
O'Conor, John
O'Riley, Christopher
Osterkamp, Leann
Paremski, Natasha
Perez, Vanessa
Petersen, Drew
Polk, Joanne
Pompa-Baldi, Antonio
Rangell, Andrew
Roe, Elizabeth Joy
Rose, Earl
Russo, Sandro
Schepkin, Sergei
Scherbakov, Konstantin
Shin, ChangYong
Tak, Young-Ah
Ziegler, Pablo
Facebook
Twitter
Instagram
Back 1 step
Johannes Brahms
Johannes Brahms
Intermezzi (3) for Piano, Op. 117: no 1 in E flat major
Interpretations
About This Work
Performers
Refine by: Performers
All
Deveau, David
Labels
Labels
All
Steinway & Sons
Controls
Cover
Artists
Label
Movements
David Deveau
Steinway & Sons / 30051
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
About This Work
There are three intermezzi that make up Brahms' Op. 117. All have slow markings and divulge the growing tendency in the composer's late piano compositions toward serenity and meditative moods. This Intermezzo in E flat major encompasses much else of late Brahms, having that consoling and almost angelic manner in its outer sections and a quite serious and dark ponderousness in its middle section. This Intermezzo is a lullaby and carries slightly different markings for its three sections: Andante moderato, Piu adagio, and Un poco piu andante. Brahms prefaces the music with a quote from a favorite Scottish cradle song: "Balou, my boy, lye still and sleep, it grieves me sore to hear thee weep." The year he composed these intermezzi, Brahms lost his sister Elise and his longtime friend Elizabeth von Herzogenberg. Thus, the darker character of the work -- and the others in the set -- is easy to understand. The piece opens with a lovely theme, whose mellow character mixes consolation and dreaminess. The bridge passage leading to the middle section presents a darker variant of the theme. The music that follows is melancholy and troubled, though harnessed in by that typically Brahmsian philosophical manner, as if dignity must be maintained and emotions controlled in times of grieving. The main theme returns and the piece quietly ends. Typical performances of this Intermezzo last five minutes.
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
8056EE25F3FC4C611889911D20FF54C3