Phone
Tablet - Portrait
Tablet - Landscape
Desktop
Toggle navigation
Performers
Steinway Performers
Albright, Charlie
Anderson, Greg
Arishima, Miyako
Benoit, David
Biegel, Jeffrey
Birnbaum, Adam
Braid, David
Brown, Deondra
Brown, Desirae
Brown, Gregory
Brown, Melody
Brown, Ryan
Caine, Uri
Chen, Sean
Chulochnikova, Tatiana
Deveau, David
Farkas, Gabor
Feinberg, Alan
Fung, David
Gagne, Chantale
Golan, Jeanne
Goodyear, Stewart
Graybil, Matthew
Gryaznov, Vyacheslav
Gugnin, Andrey
Han, Anna
Han, Yoonie
Iturrioz, Antonio
Khristenko, Stanislav
Kim, Daniel
Li, Zhenni
Lin, Jenny
Lo Bianco, Moira
Lu, Shen
Mahan, Katie
Mao, Weihui
Melemed, Mackenzie
Min, Klara
Mndoyants, Nikita
Moutouzkine, Alexandre
Mulligan, Simon
Myer, Spencer
O'Conor, John
O'Riley, Christopher
Osterkamp, Leann
Paremski, Natasha
Perez, Vanessa
Petersen, Drew
Polk, Joanne
Pompa-Baldi, Antonio
Rangell, Andrew
Roe, Elizabeth Joy
Rose, Earl
Russo, Sandro
Schepkin, Sergei
Scherbakov, Konstantin
Shin, ChangYong
Tak, Young-Ah
Ziegler, Pablo
Facebook
Twitter
Instagram
Back 1 step
Dietrich Buxtehude
Dietrich Buxtehude
Fugue for Organ in C major, BuxWV 174 "Gigue"
Interpretations
About This Work
Performers
Refine by: Performers
All
Feinberg, Alan
Labels
Labels
All
Steinway & Sons
Controls
Cover
Artists
Label
Movements
Alan Feinberg
Steinway & Sons / 30034
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
About This Work
This is one of Buxtehude's most popular keyboard pieces. It is cast in the style of a gigue and is thus similar in this aspect to his fugues, BuxWV 166 and 170. The latter two, however, feature three fugue sections each and use the gigue style in only the second fugue. This C major effort is made up of a single fugue and is thus a relatively brief work, generally lasting a bit under three minutes.
Usually performed on harpsichord, the piece opens with a single line in the middle ranges that immediately conveys a lively, playful mood, the notes seeming to bounce merrily but busily along. Contrapuntal elements soon enter and the music takes on an even greater sense of joy and industriousness. About midway through, textures turn lighter and more delicate as both main lines rise into the upper register. But it is not long before the music must yield back to the more festive, rowdier manner of the opening. An almost frenzied character seizes the work in a series of fanatical, insistent repetitions near the end, but the music suddenly stops to catch its breath and the work ends quietly and serenely.
×
Add To Playlist
Success
This selection has been added.
Playlist
Create
Cancel
Confirm
Cancel
5BB5E894A25C23A3A87B6F2636F096FC